Indie Wednesday – Week 15, 2016

NilExistence – Existence In Revelation

NilExistence - Existence In Revelation

Rating: 4/5
Location: Moravia, New York
Label: Self-released

Over the years, New York has produced some of the most brutal and influential bands in the death metal genre, including Immolation, Suffocation, Cannibal Corpse, and Skinless. With the abundance of hardcore bands in the area, it should come as no surprise that some of hardcore’s aggression found its way into the death metal arena. Just listen to the breakdowns on early Immolation and Suffocation records, if you don’t believe me.

Moravia, New York’s NilExistence is another excellent example of this, as can be heard on their debut release, Existence In Revelation. “The Quietus” is an excellent opening track which sets the mood immediately with anguished screams, coupled with a sound clip from a movie. When the music kicks in, it’s like a shotgun blast to the gut, with pounding drums and furious guitar riffs, with a slightly melodic edge that reminds me of Nile. The brutality never really lets up as the album chugs along; NilExistence often remind me of the best parts of Suffocation, Immolation, and even Nile, though they aren’t necessarily derivative of any of those bands. “Primordial Transgression” nails exactly what I’m talking about here; the riffs are savage, with a healthy dose of hardcore mixed in, yet it’s also technical and complex.

You could almost call NilExistence a deathcore band, though that label usually evokes images of skinny jeans-wearing, neck tattooed, pig-squealing Warped Tour metal. The emphasis on Existence In Revelation is firmly placed on death metal, though there are notable hardcore influences that can be heard throughout the album as well. So, in that sense, deathcore isn’t a wholly inaccurate description of the band, though it doesn’t paint the full picture. With a solid production (I really enjoy the effective use of sound clips on this record, it really adds a lot of atmosphere), excellent musicianship, it’s only a matter of time before NilExistence begin making some serious waves in the underground.

– Bradley

Horrified – Of Despair

Horrified Of Despair artwork

Rating: 3/5
Location: Newcastle, England
Label: Stormspell Records

I love hearing bands broaden their musical horizons and experimenting with new sounds, or at least trying to incorporate something new to their own sounds. Behemoth did a great job of this when they made the transition from black metal to a more death metal-oriented sound. Darkthrone did it as well, just listen to Soulside Journey compared to A Blaze In The Northern Sky. Newcastle’s Horrified have also made quite a transition with their latest offering, Of Despair.

Horrified’s previous release, Descent Into Putridity, was a pretty straight-forward death metal record, in the vein of Autopsy, Dismember, and Pestilence. With Of Despair, though, Horrified have added a lot more melody, and explore a more blackened (albeit still melodic) tone, citing Dissection, Unanimated, and Sacramentum as influences. “Palace Of Defilement,” the opening track, starts things off on a somber tone, with a lone, clean-toned guitar (and a little added ambient noise in the background), before building up into a glorious wall of melodic riffing. The music then blasts full speed ahead in some blazingly fast, melodic black metal riffing, growled vocals, and frantic drums. The music throughout Of Despair is super melodic, thanks to the addition of keyboards throughout, but Horrified manage to keep their death metal roots in tact as well, as can be heard on “Amidst The Darkest Depths.”

The production comes off as a little too squeaky clean for my liking at times, making the music sound like it was heavily processed with Pro-Tools. The musicianship is good enough to allow me to overlook this, though, with the exception of the clean vocals towards the end of “Funeral Pyres.” I give the singer an “E” for effort, but really, his harsh vocals just work so much better on this album. With a little more tweaking, Horrified could really become a great blackened death band. You can tell this is their first go at playing black metal, but being experienced musicians, they do better than many artists that go straight into the genre as a black metal band from the beginning. Of Despair isn’t a perfect record, but is still very enjoyable, with some solid musicianship, and a good balance of brutality and melody.

– Bradley